LI TRUST TECHNOLOGY
Technology Powering Global Cinema
DCP mastering, multilingual localization & cross-border delivery for 2,000+ productions across 50+ countries — long-term technical partner of Cannes, Berlin, Tokyo, Beijing & Shanghai film festivals
OUR SERVICES
Our Services
End-to-end technical solutions from post-production to global distribution — DCP mastering & worldwide KDM delivery, 40+ language subtitle localization, TB-level cross-border high-speed transfer, and festival screening support — all in one seamless workflow
DCP Mastering & Digital Screening
- 2K/4K/3D/IMAX Full-Spec DCP Production
- DCP to Digital Master (ProRes/H.265)
- DCP Encryption/Decryption & Global KDM Distribution
- DCP Embedded/External Multilingual Subtitles
- Blu-ray/Digital Source to DCP Conversion
- Full Technical Support for Festival Screenings
Multilingual Localization & Subtitling
- 40+ Language Film Subtitle & Script Translation
- Bilingual/Multilingual Subtitles with Native Review
- Hardcoded & Soft Subtitle Embedding
- Censorship Compliance Review & Editing
- International Trailer Editing & Promo Materials
- Subtitle Display Rental & On-Site Technical Support
Cross-Border High-Speed Transfer
- TB-Level Master File High-Speed Transfer
- Bi-directional Cross-Border Large File Acceleration
- Overseas Media Asset High-Speed Download
- FTP/HTTP/Aspera Multi-Protocol Acceleration
- DCP Transfer & Integrity Verification
Media Production & Dubbing
- HDCAM/XDCAM/SR/D5 Professional Tape Transfer
- Film Scanning 2K/4K/8K
- Film Digital Restoration 2K/4K/8K
- DVD/Blu-ray Master Production
- Dolby E Encoding/Decoding & Audio Post
- Multilingual Professional Dubbing & Mixing
PARTNERS
Our Partners
Serving 30+ international film festivals, national cultural institutions & leading streaming platforms
PORTFOLIO
Global Delivery Portfolio
From Cannes to Busan, Berlin to Beijing — DCP mastering, multilingual localization, cross-border delivery & on-site screening support for 2,000+ productions serving major film festivals, international distributors & independent filmmakers worldwide
Chasing Wind and Shadows (捕风追影)
The Shadow's Edge Cross-Border High-Speed Transfer
Searching for Sugar Man
Sugar Man DCP Digital Cinema Package
Apollo 13
阿波罗13号 Multilingual Subtitle Localization
The Sinking of the Lisbon Maru
The Sinking of the Lisbon Maru Cross-Border High-Speed Transfer
Visit
The Return DCP Digital Cinema Package
Festival
Festival Multilingual Subtitle Localization
Fallen into the Mortal World (落凡尘)
Fall Into The Mortal World Cross-Border High-Speed Transfer
Wild Tales
荒蛮故事 DCP Digital Cinema PackageABOUT US
Beijing LI TRUST Technology Co., Ltd.
Founded in 2015, Beijing LI TRUST Technology is one of China's earliest professional firms specializing in film post-production services. Our core team comprises senior localization specialists and post-production engineers from dozens of countries, with a review panel including senior diplomatic interpreters and multilingual linguists — delivering end-to-end capabilities from content localization and technical production to on-site screening.
Long-term clients include national institutions such as China Film Archive and China National Film Museum; Class-A international festivals including Cannes, Berlin, Busan, Tokyo, Beijing & Shanghai; and leading media platforms like CCTV, Tencent Video, and iQIYI.
Our goal is to become the preferred technical service partner for filmmakers and festivals worldwide — regardless of a production's country of origin or language, we deliver precise localization and high-quality screening through our expertise.
A decade of deep expertise in film post-production has reinforced our core belief: the value of technology lies in removing barriers. Language barriers, format barriers, distance barriers — we break them down one by one, enabling productions to flow freely across borders.
NEWS
Latest Updates
In-depth insights into DCP mastering, subtitle localization, cinema projection & more — expert knowledge from the world of film post-production
Australia Film Classification: A Complete Guide to the Classification Board System – Compliance Guide for Overseas Production Teams
Australia's film classification system is established under the *Classification Act 1995*, with the Classification Board responsible for legally binding ratings on films, games, and other content. Imported films cannot rely on ratings from other countries and must be reclassified in Australia. This article provides an in-depth analysis of the regulatory framework, classification process, and key milestones, while offering practical recommendations from LI TRUST's operational perspective for international and independent production teams to avoid distribution compliance risks.
Read More →Singapore IMDA Film Classification and Content Standards: A Compliance Guide for Producers Entering the Singapore Market
Singapore, as a hub for film distribution and festivals in Asia-Pacific, presents a hidden hurdle for overseas and independent production teams through its IMDA classification system. This article offers a deep dive into the G-to-R21 rating framework, reclassification requirements for imported films, and how content guidelines are applied—covering the regulatory structure, review checkpoints, and practical operations. Drawing on LI TRUST’s service experience, it also provides cross-compliance operational recommendations.
Read More →SMPTE DCP Standards: Technical Understanding Before Submission and Distribution
This article breaks down the core technical framework of the SMPTE DCP standard, covering the ST 429 series, MXF container and JPEG 2000 encoding, color space conversion, and the key differences between Interop DCP and SMPTE DCP. Drawing on LI TRUST’s experience working with production teams worldwide, it highlights the technical checkpoints that must be cleared before censorship submission and distribution—helping teams avoid format incompatibility, metadata errors, hash verification failures, and other common issues. The goal: ensure your DCP passes review smoothly and plays reliably across multiple cinema systems.
Read More →Cannes Film Festival DCP Technical Specifications and Delivery Guidelines: A Compliance Guide for Global Production Teams
This article breaks down the technical requirements, delivery workflows, and regulatory compliance for DCP exhibition at the Cannes Film Festival. Combining DCI specifications with the festival’s official rules, it offers production teams practical guidance on everything from DCP creation and encryption to KDM management and subtitle consistency. Drawing on years of hands-on experience, LI TRUST highlights common pitfalls and best practices.
Read More →FAQ
FAQ
Common questions on DCP, subtitles, transfer and cases — click to expand
What is DCP and what DCP services does LI TRUST provide?
DCP (Digital Cinema Package) is the standard format for digital cinema projection. LI TRUST delivers 2K/4K/3D/IMAX DCP mastering, packaging, encryption, global KDM distribution, DCP delivery/transfer, IMF packaging, embedded/external multilingual subtitles, and Blu-ray-to-DCP — 2,000+ films across 50+ countries.
Which languages does LI TRUST support for subtitle translation?
Our translators cover 40+ languages — Chinese, English, Japanese, Korean, French, Spanish, German, Russian, Arabic and more — for features, shorts and scripts, with cultural localization and native review. We support official screening subtitles for A-list festivals such as Cannes, Berlin and Tokyo.
How long do subtitle translation and production usually take? Can you rush?
For English-to-Chinese subtitle translation and production, after materials and specs are confirmed we typically deliver within 7 working days; multiple titles can run in parallel. Festival or promo deadlines can use a rush lane. Japanese, Korean, European and other languages are scheduled case by case based on runtime, native review and spotting needs — share your deadline early and we will confirm a firm delivery date.
What is the usual DCP turnaround? Is rush available?
Once materials pass evaluation with no major spec issues, a standard DCP is typically delivered within 24 hours. Rush delivery is available. For multilingual subtitle tracks, encryption/KDM, special aspect ratios or festival emergency windows, tell us the requirements and deadline when ordering — we will assess and lock a schedule so delivery stays on time.
How does LI TRUST handle cross-border large file transfer?
We provide TB-scale high-speed transfer for masters, cross-border acceleration, MOV delivery, DCP transfer with integrity checks, overseas downloads, and FTP/HTTP/Aspera acceleration — often 10x faster across continents.
Which notable clients has LI TRUST served?
Clients include the China Film Archive and China Film Museum, A-list festivals (Cannes, Berlin, Busan, Tokyo, Beijing, Shanghai), and major platforms such as CCTV, Tencent Video and iQiyi — with 2,000+ post-production deliveries.
Have you worked on animation films?
Yes. We have provided DCP mastering, subtitle localization and/or cross-border transfer for multiple animation and animation-related titles, including Chinese and international projects. See related portfolio cases below.
Soft vs hard subtitles — which do cinema DCPs use?
Hard subs are burned into picture; soft/track subs can be switched by language. Theatrical DCPs use standards-compliant subtitle tracks. We deliver embedded, external or burned-in options per festival/distributor specs.
How is a DCP different from a ProRes/H.264 file?
Consumer/edit files are for post or online; DCP is the digital-cinema package (picture, sound, subs, encryption/KDM) validated by theatre servers. Most A-list festivals and cinemas require compliant DCP for official screenings.
How is subtitle translation usually priced?
Typically by runtime (minutes) plus language difficulty, native review, spotting/authoring and rush fees. Multi-language packs available — send runtime, languages and deadline for a line-item quote.
CONTACT
Get in Touch
Single-project delivery, full festival technical support, or long-term partnerships — contact us anytime for a customized solution & quote
1152113122
Online instant messagingAddress
北京市昌平区立汤路181号院6号楼3层303
Postal Code 102218